BEGIN:VCALENDAR VERSION:2.0 PRODID:-//39th Chaos Communications Congress//events in Art & Play: Bus St age CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:events in Art & Play: Bus Stage BEGIN:VEVENT SUMMARY:ΠXL: Noisy Improvised Concert on Analog&Digital Modular Synths (l ive) DTSTART:20251227T190000Z DTEND:20251227T200000Z DTSTAMP:20260415T060118Z UID:c02accd4-ed96-420a-aab4-14cf2f50c2c7 CATEGORIES: DESCRIPTION:Improvised electronic music on a hybrid setup consisting of a small modular system and digital components programmed in Pure Data. The f ocus is on the musical exploration of raw electronic sounds without the us e of echoes\, reverb\, or loopers. Even though there may be rhythmic momen ts\, these are not the focus\, nor are harmony and melody—rather\, techn ical/mathematical structures are the starting points. The aesthetic appeal arises from the acceptance of the sound moment as a cognitive experience and the shared perception of a tension arc by the audience and performer.  \n\n#### Artist Bio:\n\ni am an electronic/experimental musician\, compo ser\, improviser\, programmer based in leipzig/germany. \n\nafter more tha n 3 decades as a professional musician and instrumental teacher in various styles and on various traditional instruments\, i have become a little bo red and saturated with it. in addition\, i have felt the desire to devote my life to other tasks such as left wing political\, activist work and exp loring the social space. therefore i have decided to stop making tradition al music and to focus musically on improvisation and electronic sound gene ration. \n\nthis allows me to combine some strong interests - for example\ , exploring sounds\, computer programming\, electronic tinkering - and use them for my artistic work. i play live with a small modular system as wel l as with self-developed digital\, computer-based instruments and controll ers. in addition to ensemble \nimprovisation\, i am increasingly intereste d in solo performances. through my long time as a wind instrumentalist i h ave become accustomed to always using my breath for articulation and dynam ic control. \nthat's why i usually use a breath controller for my electron ic performances.\nin this concert i expect to use an eurorack-modular in c ombination with pure data & supercollider LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/noisy-improvised- concert-on-analogdigital-modular- END:VEVENT BEGIN:VEVENT SUMMARY:Christoph Fleischer: Traumtaucher (documentary) DTSTART:20251228T163000Z DTEND:20251228T180000Z DTSTAMP:20260415T060118Z UID:55b291ef-c242-4b7b-a3e1-c7a4a1009dbc CATEGORIES: DESCRIPTION:**Artist: Christoph Fleischer**\n\n**Genre: Documentary\, 92 m in**\n\n*DE with EN subtitles\, 2024*\n\nTheatre engineer Elias builds a f ully functional steampunk submarine together with his friends. While Nico rescues people from the waves of the Mediterranean\, the 70-year-old artis t Jim advises: ”Don‘t do it. Don’t fix cars\, but rather do somethin g in life that you really want to”. Elias asks himself: Is there a decis ion to be made between self-realization and selfless-action? Upon what doe s responsibility towards individuals or larger society depend?\nABOUT WATE R AND DREAMS is a philosophical journey that questions the meaningfulness of our actions and dares to dream publicly in our dreamless society.\n\nDo cumentary film about the submarine project presented at 37C3 with a lectur e.\nLecture - “How to build a submarine and survive” by Elias and Nico \n\nPicture: Traumtaucher ©Christoph Fleischer\n\n[www.traumtaucher-film. de](www.traumtaucher-film.de)\n\n[www.tiefenruder.de](www.tiefenruder.de) LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/traumtaucher_5jxf END:VEVENT BEGIN:VEVENT SUMMARY:Aylin Leclaire: Electronic live performance (live) DTSTART:20251228T193000Z DTEND:20251228T203000Z DTSTAMP:20260415T060118Z UID:5bc4560d-2332-42f5-8c8a-c95b6fa6f56d CATEGORIES: DESCRIPTION:Catchy hooks\, powerful beats\, and a touch of science fiction :\nAs a producer\, songwriter\, and interdisciplinary artist\, Aylin Lecla ire weaves shimmering pop melodies with dark\, pulsating electro textures. Her voice moves effortlessly from soft whispers to radiant soaring highs\ , carrying lyrics that convey a clear stance without ever losing sight of the earworm.\n\n[aylinleclaire.com](https://aylinleclaire.com) LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/aylin-leclaire-el ectronic-live-performance END:VEVENT BEGIN:VEVENT SUMMARY:Pony Pracht\, Nina Bendix Igleses: »Water to Voice« (live perfom ance) DTSTART:20251228T223000Z DTEND:20251228T230000Z DTSTAMP:20260415T060118Z UID:c2ee835f-1379-4a19-9064-3b6e3ddc253f CATEGORIES: DESCRIPTION:»Water to Voice« is an evolving piece born from the process of cloning Lisa’s voice. The flow and movement of water control and trig ger the voice\, creating a unique interplay between the two elements. It c aptures the voice in the midst of its training—shifting\, stumbling\, re interpreting itself.\nAs the water moves\, it shapes and disrupts the soun d\, transforming liquid motion into vocal gesture. What emerges is neither purely human nor purely artificial\, but something in between—alive\, u nstable\, and constantly transforming. »Water to Voice« becomes a dialog ue between nature and technology\, a fragile choreography in which the voi ce learns\, falters\, and evolves in real time.\n\nArtist Bio:\n\nThe duo Lisa L. Zwinzscher & Nina Bendix Igleses (Leipzig/Weimar) explores the bou ndaries of listening and voice in the digital realm. Emerging from Lisa L. Zwinzscher’s solo project Pony Pracht\, which blends music with interac tive\, game-inspired visuals\, her work expands to questions of identity a nd authenticity in the age of AI. As a singer\, she has cloned her own voi ce\, transforming it into a human-artificial live instrument. \nFascinate d by the tactile\, sonic and metaphorical qualities of water\, Nina Bendix Igleses approaches listening as a multisensory practice of relating to th e world\, investigating interconnection within and between self and enviro nment.\nTogether\, they engage with questions of identity\, resonance\, an d transformation\, creating sonic environments that explore what it means to be human.\n\n\n[ponypracht.com](https://ponypracht.com)\n\n[ninabendixi gleses.com](https://ninabendixigleses.com) LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/pony-pracht-nina- bendix-igleses-water-to-voice END:VEVENT BEGIN:VEVENT SUMMARY:Pony Pracht\, Nina Bendix Igleses: »Water to Voice« (meet the ar tist) DTSTART:20251229T120000Z DTEND:20251229T143000Z DTSTAMP:20260415T060118Z UID:8857a376-2018-4c0e-ab09-efc4684c8a81 CATEGORIES: DESCRIPTION:»Water to Voice« is an evolving piece born from the process of cloning Lisa’s voice. The flow and movement of water control and trig ger the voice\, creating a unique interplay between the two elements. It c aptures the voice in the midst of its training—shifting\, stumbling\, re interpreting itself. As the water moves\, it shapes and disrupts the sound \, transforming liquid motion into vocal gesture. What emerges is neither purely human nor purely artificial\, but something in between—alive\, un stable\, and constantly transforming. »Water to Voice« becomes a dialogu e between nature and technology\, a fragile choreography in which the voic e learns\, falters\, and evolves in real time.\n\n#### Artist Bio:\n\nThe duo Lisa L. Zwinzscher & Nina Bendix Igleses (Leipzig/Weimar) explores the boundaries of listening and voice in the digital realm. Emerging from Lis a L. Zwinzscher’s solo project Pony Pracht\, which blends music with int eractive\, game-inspired visuals\, her work expands to questions of identi ty and authenticity in the age of AI. As a singer\, she has cloned her own voice\, transforming it into a human-artificial live instrument. Fascina ted by the tactile\, sonic and metaphorical qualities of water\, Nina Bend ix Igleses approaches listening as a multisensory practice of relating to the world\, investigating interconnection within and between self and envi ronment. Together\, they engage with questions of identity\, resonance\, a nd transformation\, creating sonic environments that explore what it means to be human.\n\n[ponypracht.com](https://ponypracht.com)\n\n[ninabendixig leses.com](https://ninabendixigleses.com) LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/pony-pracht-nina- bendix-igleses-water-to-voice-mee END:VEVENT BEGIN:VEVENT SUMMARY:Pony Pracht\, Nina Bendix Igleses: »Water to Voice« (live perfom ance) DTSTART:20251229T143000Z DTEND:20251229T150000Z DTSTAMP:20260415T060118Z UID:49baf6fb-d9c1-4e77-acd3-43495189feda CATEGORIES: DESCRIPTION:»Water to Voice« is an evolving piece born from the process of cloning Lisa’s voice. The flow and movement of water control and trig ger the voice\, creating a unique interplay between the two elements. It c aptures the voice in the midst of its training—shifting\, stumbling\, re interpreting itself. As the water moves\, it shapes and disrupts the sound \, transforming liquid motion into vocal gesture. What emerges is neither purely human nor purely artificial\, but something in between—alive\, un stable\, and constantly transforming. »Water to Voice« becomes a dialogu e between nature and technology\, a fragile choreography in which the voic e learns\, falters\, and evolves in real time.\n\n#### Artist Bio:\n\nThe duo Lisa L. Zwinzscher & Nina Bendix Igleses (Leipzig/Weimar) explores the boundaries of listening and voice in the digital realm. Emerging from Lis a L. Zwinzscher’s solo project Pony Pracht\, which blends music with int eractive\, game-inspired visuals\, her work expands to questions of identi ty and authenticity in the age of AI. As a singer\, she has cloned her own voice\, transforming it into a human-artificial live instrument. Fascina ted by the tactile\, sonic and metaphorical qualities of water\, Nina Bend ix Igleses approaches listening as a multisensory practice of relating to the world\, investigating interconnection within and between self and envi ronment. Together\, they engage with questions of identity\, resonance\, a nd transformation\, creating sonic environments that explore what it means to be human.\n\n[ponypracht.com](https://ponypracht.com)\n\n[ninabendixig leses.com](https://ninabendixigleses.com) LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/pony-pracht-nina- bendix-igleses-water-to-voice-liv END:VEVENT BEGIN:VEVENT SUMMARY:ΠXL: Noisy Improvised Concert on Analog&Digital Modular Synths (l ive) DTSTART:20251229T193000Z DTEND:20251229T203000Z DTSTAMP:20260415T060118Z UID:cb40fb2e-15ec-46c0-9f6b-b1a8a3b90f1a CATEGORIES: DESCRIPTION:Improvised electronic music on a hybrid setup consisting of a small modular system and digital components programmed in Pure Data. The f ocus is on the musical exploration of raw electronic sounds without the us e of echoes\, reverb\, or loopers. Even though there may be rhythmic momen ts\, these are not the focus\, nor are harmony and melody—rather\, techn ical/mathematical structures are the starting points. The aesthetic appeal arises from the acceptance of the sound moment as a cognitive experience and the shared perception of a tension arc by the audience and performer.  \n\n#### Artist Bio:\n\ni am an electronic/experimental musician\, compo ser\, improviser\, programmer based in leipzig/germany. \n\nafter more tha n 3 decades as a professional musician and instrumental teacher in various styles and on various traditional instruments\, i have become a little bo red and saturated with it. in addition\, i have felt the desire to devote my life to other tasks such as left wing political\, activist work and exp loring the social space. therefore i have decided to stop making tradition al music and to focus musically on improvisation and electronic sound gene ration. \n\nthis allows me to combine some strong interests - for example\ , exploring sounds\, computer programming\, electronic tinkering - and use them for my artistic work. i play live with a small modular system as wel l as with self-developed digital\, computer-based instruments and controll ers. in addition to ensemble \nimprovisation\, i am increasingly intereste d in solo performances. through my long time as a wind instrumentalist i h ave become accustomed to always using my breath for articulation and dynam ic control. \nthat's why i usually use a breath controller for my electron ic performances.\nin this concert i expect to use an eurorack-modular in c ombination with pure data & supercollider LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/xl-noisy-improvis ed-concert-on-analogdigital-modul END:VEVENT BEGIN:VEVENT SUMMARY:Christoph Fleischer: Traumtaucher (documentary) DTSTART:20251229T213000Z DTEND:20251229T230000Z DTSTAMP:20260415T060118Z UID:6a6daa67-ce77-4c97-aa20-c12661c70bec CATEGORIES: DESCRIPTION:**Artist: Christoph Fleischer**\n\n**Genre: Documentary\, 92 m in**\n\n*DE with EN subtitles\, 2024*\n\nTheatre engineer Elias builds a f ully functional steampunk submarine together with his friends. While Nico rescues people from the waves of the Mediterranean\, the 70-year-old artis t Jim advises: ”Don‘t do it. Don’t fix cars\, but rather do somethin g in life that you really want to”. Elias asks himself: Is there a decis ion to be made between self-realization and selfless-action? Upon what doe s responsibility towards individuals or larger society depend?\n\nABOUT WA TER AND DREAMS is a philosophical journey that questions the meaningfulnes s of our actions and dares to dream publicly in our dreamless society.\n\n \nDocumentary film about the submarine project presented at 37C3 with a le cture.\nLecture - “How to build a submarine and survive” by Elias and Nico\n\n[www.traumtaucher-film.de](www.traumtaucher-film.de)\n\n[www.tiefe nruder.de](www.tiefenruder.de)\n\nPicture: Traumtaucher ©Christoph Fleisc her LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/traumtaucher END:VEVENT BEGIN:VEVENT SUMMARY:Christian Faubel: Electronic Oscillators for organic patterns and polyrhythms Jam Session (live) DTSTART:20251230T130000Z DTEND:20251230T140000Z DTSTAMP:20260415T060118Z UID:42acf091-30c5-416b-a6d4-d11997c2f6f4 CATEGORIES: DESCRIPTION:The results of the workshop “Electronic Oscillators for Orga nic Patterns and Polyrhythms” will be presented in a jam session. The so undboards created in the workshop will be used for this purpose.\n\n[https ://christian.faubel.derstrudel.org](https://christian.faubel.derstrudel.or g)\n\n[https://post.lurk.org/@derstrudel](https://post.lurk.org/@derstrude l) LOCATION:Art & Play: Bus Stage URL:https://events.ccc.de/congress/2025/hub/event/detail/christian-faubel- electronic-oscillators-for-organi END:VEVENT END:VCALENDAR